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Art Portfolio Prep & Aesthetic Theology

Curriculum for High School Art Class: Art Portfolio Prep & Aesthetic Theology

Class Duration: 2 Hours (Friday)  

Cost: $50 per session  
Level: High School Students  

Course Objectives:

  • – To develop a strong art portfolio suitable for art school applications.
  • – To engage with the aesthetic values and virtues of art from a classical Christian perspective.
  • – To draw inspiration from leading thinkers in art and theology.
  • – To prepare students for participation in art competitions and exhibitions.

Reading:

  1. Mako Fujimura- “Culture Care: Reconnecting with Beauty for Our Common Life”
  2. Leland Ryken- “The Christian Imagination: The Practice of Faith in Literature and Writing”
  3. Martin- “Art and the Bible”
  4. Makoto Fujimura- “Art + Faith”

Weekly Schedule:

Week 1: Introduction to Art Portfolio Development

  • – Discuss components of a successful art portfolio and explore inspiration sources.  
  • – Overview of different art mediums and styles.  
  • – Introduce concepts from “Culture Care” on reflecting God’s beauty and truth through art.  

Week 2: Understanding Aesthetics and Virtues in Art

  • – Explore classical aesthetics through Martin’s perspectives.  
  • – Discuss the importance of virtues like patience, excellence, and courage in art.  
  • – Students create initial sketches that illustrate a chosen virtue, considering aesthetic qualities.

Week 3: Thematic Development for Portfolio

  • – Brainstorm and choose themes for individual portfolios that reflect personal beliefs and classical Christian perspectives.  
  • – Incorporate insights from “The Christian Imagination.”  
  • – Prepare drafts of artist statements that accompany artwork and reflect on their chosen themes.

Week 4: Techniques and Mediums Exploration

  • – Experiment with various media (painting, drawing, sculpture) to engage with chosen themes.  
  • – Practice techniques that enhance visual narratives.  
  • – Discuss how specific techniques convey deeper meanings or virtues.

Week 5: Incorporating Theology into Art

  • – Discuss the integration of biblical themes and stories in artwork, drawing on Fujimura’s insights.  
  • – Examine historical artists who expressed their faith through their art.  
  • – Begin creating a piece inspired by a specific theological theme.

Week 6: Critique and Feedback Session

  • – Scheduled peer reviews and critiques focused on constructive feedback.  
  • – Emphasize the importance of integrity and virtue in artistic discussions.

Week 7: Planning for Competitions

  • – Research and identify upcoming local and national art competitions; discuss application guidelines and deadlines.
  • – Students select artworks from their portfolios to adapt or refine for competition submissions.  
  • – Discuss the importance of displaying artistic integrity and excellence in competition entries.

Week 8: Creating Final Pieces

  • – Intensive studio time to finalize both portfolio pieces and those selected for competitions.  
  • – Encourage students to be mindful of craftsmanship and to reflect the Creator’s qualities in their work.

Week 9: Presenting Art and Artist Statements

  • – Prepare for final presentations of selected works, focusing on the artist statement and the story behind their work.
  • – Students articulate how their faith, themes, and techniques connect to ideas from their readings.  
  • – Practice receiving and giving feedback in a professional manner.

Week 10: Exhibition & Reflection

  • – Organize a mini-exhibition where students display their work for peers, family, and the community.  
  • – Optionally, coordinate a small competition within the group to encourage friendly engagement.  
  • – Reflect on the entire experience, synthesizing insights from readings and discussions regarding their artistic journey.

Assessment:

  • – Continuous progress on portfolio development throughout the course.  
  • – Participation in discussions, critiques, and peer reviews.  
  • – Quality of final presentations and ability to articulate the relationship between their work, aesthetics, and theology.